David Meltzer “Blahgs” from New Mexico

3rd day in the Quality Inn in Bernalillo, NM. Today we lunched at Flying Star, a cafeteria style eatery serving thoughtful, healthy food — when possible, locally grown produce, meat & poultry — had a glass of organic Chardonnay, felt instantly immortal. Sooner or later in my blabbing blahg, I’ll tirade off into a critique of “green” vocabulary, but now want to try to figure out where we are, i.e., what the text of highway, strip malls, meta malls, uniformity & deformity reads like. Like all of us, alert to subtext. F’rinstance: a billboard looms above the Inn: “Dos Lunas Tequilla” on the top in white florid script on a black page. In more sedate type: “New Mexico . .” More signage along the way that puzzles me endlessly as to how to “read” it. Does Dos Lunas make you see double? As a geezer, I have dim kid memories of driving Route 66 to Los Angeles. I don’t recall the roadside plaques, stacked w/ corporate symbols, before any turn-off in any remote isolate spot along the highway. Everything the same which I suppose brings comfort. But to whom? Yeah, I know the story of the incorporation of USA & then the Globe starting in the 19th century. Yeah, I know about the constant standardization & rationalizing of so-called reality; its reconstruction into the familiar neutral spectacle. Yeah, I’ve read & re-read Debord’s dense masterpiece, “The Society of the Spectacle,” a trash-compacted encyclical in maybe 100 pages of numbered units of critique. Yet the impact of its totality on the American roadscape & TV & cyber inscape has, thanks to the Rockpile tour, become inescapable to me. Old news, yes. But that doesn’t mean it’s any less easy to succumb to, to surrender to. & I don’t & won’t. But I can read it resistantly, as a poet, digging deep into each word, icon, image, as well as trying to understand how folks read & internalize all of it in everyday life. I can also appreciate the remnants of poetry in ad copy & imagery.

Am listening to the local “classical music” radio station like its brother & sister stations throughout the States, it plays “lite”, a movement from a symphony or string quartet prefaced w/ peppy thumbnail sketches on, let’s say, Beethoven’s deafness or Mozart’s precociousness a la People. At the local Walgreen’s bought a copy People’s 35th birthday issue. Need to read it now to discover where US is & who its heroes, heroines are at this moment. More later, David Meltzer

2 comments

  1. Marina says:

    I wonder as well about this “internalization of everyday life”. Has it actually changed our consciousness as how our consciousness actually exists as how we FEEL….or not, about ourselves and each other. (i.e. community, self-esteem, inspiration as nature) Has this visual idea of life overridden our instinctive (I believe was once instinct) faith in the unknown, vibe of the unknown, so that we care less about the in between the lines and more about the definitions. (does this make sense?) I believe a new resurgence of poetry & music collaborations, with page as bow and breath as string (yes, in the white world of words) is an inevitable response to an overly cliched response to the world of visualization, so that a punch of abstraction, close your eyes and listen next time, gives one a moment of lifting out of the competition of suave.

    Of course this does not in any way take away the power of Terri’s platinum blonde wig during “Entertainment Vampire” at Shelldance. Now that was something to see!

    m.

    PS The words I have to type in to send this are “Casanova aqua”…

  2. Marina says:

    I love how Michael pets/scratches David’s beard like he’s….Ziggy! Yea, like he’s Ziggy!

    I am a Consumed American Poet.
    I eat my own words.

    Spent the afternoon catching up with these videos while Maizie naps, and I want you to know I think you’re all incredibly nuts! Love ya.

    Marina

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