Ryan Kuhn / Poem
from Cairns and Basins
'to set out with'
Word arrow
released with aim
on the bow of
breath, I
exhale, release--
obsidian edge
maple straight
feather flight--
the finger should
do nothing more
than get out of
the wayBreathing starts
with stone
from up-valley
Jack Pine along
the Great Road
Rainbow Mountains
glass rock pressed
flakes in buckskin
ink in pulp
the craftsman
the hunt
in silence
begunEverything begins
in song
chest drum beats
under a blanket of flesh
I track and am fast
hunted, searching and searched for
words allowed
into the circle,
one eye on my tongueBreathing starts
with the tree
on river's bank
granite stone
sits on edge
of the bed--
water wheel
carve round
what grows
inside out
a notch
at each end
binds the airWhat is the object
of the goal--
to set out with
out aim
roll the foot
on its side
silent
through alder leaves
mist from the mouth
searching
for a trail
of tracksBreathing starts
with the wind
that makes
the wing--
a thin star
guides the moon
onto the horizon
an arrow's path
of bird's flightThe first song
a dream
of my grandmother
Clearwater Falls
into the Umpqua
Illahee
nika moosum nanitch
Sahalie Tyee
a small bundle of tobaccoAn arrow shot
straight into the sky
hovers
and falls back
hitting the mark--
that is all
the explanation
that can be offeredIt is not the hand
it is not the stone
it is not the tree
it is not the bird--
the kill is none of these
the kill is all of these,Of these
the song
and name
cannot be
sung
the name
we cannot call
ourselves
the kill
ourselves--
the nameFaint tracks in a clay turned to stone;
it will take awhile
162, S/SE
Ambling orchards removed I admire upwards granite and scree where snow heights settle in slides-- there alder, fir and willow seem more of me-- my words merely come as echoes-- I walk here easily-- sudden bells of bird song remind me of Jason's letter: "orientation of sentience that has extinguished desire and strives for clarity in perception seems at times too clear . . . but what is felt in the one who has to say the words--" stride comes merely as a proportion of terrain as out here feet could clamor on and I am trying not to be precise-- yet apple trees still seem as real
Intuition as itself,
not even
a word
but
some thing
the first strawberry of summer, mmm!
`brush-point'
Late spring snow
anonymous
black-hooded
chestnut chickadees
gather and flee
among cedars--
cars leave
to town
the hollow
space where daily
tracks of ritual
ice scraping
circumambulated
remainsRecollection rehash
yesterday how
one measures out
eyes of the Sun--
Moon face
mirror of:
-'how do you do it?'
-'that is my art'East winds hold
still the lakes, move
weather to sea
and the affects of trees--
how thoughts
send seeds into
this flow
as if they were
even something
less actualPainting
the hunter's silhouette
arms outstretched
like an eagle
prays
through himself--
wolf below
raven above
him--
negative space, a
universe
all the more
or less:In town down
by Bentick Arm
to the Pacific
delta widens
blows open
boats rocking in their slips
across from
hollow cannery
once was
little China Town
over there
opium pipes
among the cinders
under whiteIt is a quality
of the past
how
to paint snow
alone it is to be
and poor
as ancestors
came and went quickly
like a season
overland--
what stays in me
empty as a brush stroke
withheld
and gives
a fullness to be
here, as alwaysThis estuary
throughout
pilings stand
somethings
remain--
the pattern
in which
a fingernail
grows
after death'It is your center,
your chi '
he says--
precision is not
a compromise
of inspiration:
whatever comes
or to which you arrive
like R.G.'s
`All we saw was
Where there was to go
Not where we'd never get'
Lu Tzu said
`The country which is nowhere is the real home'no where
now here
on the edge of this
sea and stone
language lapping
to its thinnest
brush-point
54, NE
Liquored up loose lipped the rattling pundits over every dart pool room Legion hazy late afternoon teachers and officials of government gratuity rabble rouse the windowless existence of the work week release-- country time juke box the lonely lox of her laugh roll in the swaying heads of over-alled over-hauled loggers and noose-tied numbed capitalist gentry ventilating over yarns of a weekly throe--
Tin roof
banters
on and on
the rain
'that that does'
`What's wrong with a title?'
--I saw a man
march down
some avenue hissign read
`No Protesting''Everything is water
if you look
long enough--'
R. Creeley'Why the East?'
--I always dug
for China playing
in my sandbox
as a childthat that does
not last closest
resembles
life'What do they leave?'
--only the uselessRainbows follow
as much as
flee`What holds it together?'
-moon plays ocean
Harps Bells Drums
'we happen to be little walking seas'
six chords
harmonica finger on a crystal lip--
every drink
higher notes of space,
bit more tipsy--
Spill Over EdgeOne question good enough
deserves a book of answers:
the ones
that cannot be answered--
we'll just let them
run amuckA pumice mind
stone floats
`So you're one of them--'
no, I'm one of me
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