He is jokingly / referred to as / painting
when work has an insistent / freshness
her new surfaces
were tempered by sand / Lavalette
“(intense ochers, scarlets, greens,
and purples, as well as flesh and blood)” – Johns p. 359
Her personal themes evidently           
                                     consisted / of memory
in keeping with his more open / attention
since the early 1980s, their / relationship saw an increase in / traced imagery
a large and expensive hotel suite / in ink on plastic
They found in each other / aggressive hues
Was she the green angel? / He failed to identify his source
He was a dissatisfied interpretation
critics depend heavily on / a priori information
see the Grünewald details / indecipherable
With his face, knowing / often replaced looking / in her opinion
he decided on a less prejudiced / attention / he was an image in his own right